{"title":"Alternative","description":"\u003cp\u003eAlternative rock from the underground that went overground, spanning college radio, the 90s breakthrough, and everything left of the mainstream. A core pillar of our \u003ca href=\"\/collections\/rock\"\u003erock\u003c\/a\u003e selection.\u003c\/p\u003e","products":[{"product_id":"khruangbin-leon-bridges-texas-moon-black-color-vinyl-ep","title":"Khruangbin \u0026 Leon Bridges - Texas Moon (Black Color) Vinyl EP","description":"\u003cp\u003eReleased in 2022 on Dead Oceans, Texas Moon is the second collaborative EP from Houston trio Khruangbin and soul singer Leon Bridges — the nighttime companion to 2020's Texas Sun. Where the first EP captured the open road by day, this five-song set drifts into dusk, blending gospel, soul, and dusty psychedelia into something tender and cosmic. Anchored by \"B-Side\" and \"Doris.\" An essential pairing with Texas Sun and a must for any modern soul or psych collection.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":40644469194961,"sku":"656605155418","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/khruangbin-leon-bridges-texas-moon-black-color-vinyl-ep-656605155418-dead-oceans-good-taste-records-753271.jpg?v=1690207128"},{"product_id":"fun-lovin-criminals-come-find-yourself-25th-anniversary-edition-red-yellow-color-vinyl-lp","title":"Fun Lovin' Criminals - Come Find Yourself (25th Anniversary Edition) (Red Yellow Color) Vinyl LP","description":"Originally released in 1996, Come Find Yourself is the debut album by New York's finest, Fun Lovin' Criminals. Spending nearly 4 years in the UK album chart, it's packed with instant classics such as \"The Fun Lovin' Criminal\", \"King Of New York\", an inspired cover of the Hal David\/ John Barry Bond movie theme \"We Have All the Time In the World\", not forgetting the Tarantino infused smash \"Scooby Snacks\". This 25th anniversary edition is presented as heavyweight coloured double vinyl for the first time and features 4 bonus tracks. 1 Yellow Vinyl \u0026amp; 1 Red Vinyl.","brand":"Chrysalis Records","offers":[{"title":"Default Title","offer_id":40670300864721,"sku":"5060516097555","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/fun-lovin-criminals-come-find-yourself-25th-anniversary-edition-red-yellow-color-vinyl-lp-5060516097555-chrysalis-good-taste-records-485517.jpg?v=1690206574"},{"product_id":"lana-del-ray-blue-banisters-black-color-vinyl-lp","title":"Lana Del Rey - Blue Banisters (Black Color) Vinyl LP","description":"\u003cp\u003eLana Del Rey's eighth studio album 'Blue Banisters' follows the success of her previous album 'Chemtrails Over The Country Club', released earlier this year. 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Following on almost exactly a year to the day from the release of their acclaimed debut “For the first time”, the band have harnessed the momentum from that record and run full pelt into their second, with “Ants From Up There” managing to strike a skilful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir debut “For the first time” is a certain 2021 Album of the Year, having received ecstatic reviews from publications including as NPR, Stereogum, Pitchfork, The FADER, CRACK, Uncut, The Quietus, Loud \u0026amp; Quiet, The Face, Paste, The Needle Drop, DIY, NME, CLASH and fans alike, as well as recently being shortlisted for the UK’s prestigious Mercury Music Prize. The album made a significant dent on the UK Albums Chart where it landed at #4 in its first week, as well as breaking into multiple Billboard Charts including Top Album Sales (#50), Current Album Sales (#26), Tastemaker Albums (#4), Heatseeker Albums (#15) and Emerging Artists (#22).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“For the first time” melded klezmer, post-rock, indie and an often intense spoken word delivery. On “Ants From Up There” they have expanded on this unique concoction to create a singular sonic middle ground that traverses classical minimalism, indie-folk, pop, alt rock and a distinct tone that is already unique to the band.","brand":"Ninja Tune","offers":[{"title":"Default Title","offer_id":40752229908689,"sku":"5054429151428","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/black-country-new-road-ants-from-up-there-black-color-vinyl-lp-5054429151428-ninja-tune-good-taste-records-288483.jpg?v=1690205564"},{"product_id":"black-country-new-road-ants-from-up-there-deluxe-4xlp-vinyl-lp","title":"Black Country, New Road - Ants From Up There (Deluxe 4xLP Edition) Vinyl LP","description":"Black Country, New Road released their second album, “Ants From Up There” on February 4th via Ninja Tune. Following on almost exactly a year to the day from the release of their acclaimed debut “For the first time”, the band have harnessed the momentum from that record and run full pelt into their second, with “Ants From Up There” managing to strike a skilful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir debut “For the first time” is a certain 2021 Album of the Year, having received ecstatic reviews from publications including as NPR, Stereogum, Pitchfork, The FADER, CRACK, Uncut, The Quietus, Loud \u0026amp; Quiet, The Face, Paste, The Needle Drop, DIY, NME, CLASH and fans alike, as well as recently being shortlisted for the UK’s prestigious Mercury Music Prize. The album made a significant dent on the UK Albums Chart where it landed at #4 in its first week, as well as breaking into multiple Billboard Charts including Top Album Sales (#50), Current Album Sales (#26), Tastemaker Albums (#4), Heatseeker Albums (#15) and Emerging Artists (#22).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“For the first time” melded klezmer, post-rock, indie and an often intense spoken word delivery. 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His new album 'Mulholland Drive' is the latest evolution of the Filipino musician's unique sound. Following his 2020 breakthrough 'Let's Skip To The Wedding', which introduced global hits 'Jealous' and 'Romantic Lover', the new record features collaborations with some of his favourite artists - King Krule, DaM-FunK, Triathalon, Vex Ruffin and more, while staying true to his vision. \"This album is about loving yourself and your life\" - Eyedress. 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None of This Matters Now (album) was recorded LIVE in an old farm in the South West of France. An album with folk-rock sounds, mainly influenced by the music scene that appeared in Laurel Canyon during the 70s (Crosby, Still \u0026amp; Nash, Neil Young, Gram Parson, Joni Mitchell, Bob Dylan) and which addressed subjects as varied as global warming, love breakup, loss of the feeling of grace, suicide, laziness and death. « We wanted to have a more acoustic feel on this album, making it sound timeless","brand":"Half Awake","offers":[{"title":"Default Title","offer_id":40862251614417,"sku":"3516628376214","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/papooz-none-of-this-matters-vinyl-lp-3516628376214-half-awake-good-taste-records-195932.png?v=1690207876"},{"product_id":"wet-leg-wet-leg-self-titled-vinyl-lp","title":"Wet Leg - Wet Leg (self-titled) Vinyl LP","description":"\u003cp\u003eReleased in 2022 on Domino, Wet Leg is the self-titled debut from the Isle of Wight duo — a witty, deadpan, irresistibly catchy blast of post-punk and indie rock that became one of the most acclaimed debuts of its year. Sharp and hooky throughout, it's powered by the viral breakout \"Chaise Longue\" alongside \"Wet Dream\" and \"Angelica.\" It won the Grammy for Best Alternative Music Album. An essential pickup for any modern indie collection.\u003c\/p\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":40866840379601,"sku":"887828049615","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/wet-leg-wet-leg-self-titled-vinyl-lp-887828049615-domino-good-taste-records-148968.jpg?v=1690208931"},{"product_id":"noso-stay-proud-of-me-opaque-blue-color-vinyl-lp","title":"NoSo - Stay Proud of Me (Opaque Blue Color) Vinyl LP","description":"Stay Proud of Me is the debut album from LA-based Korean-American artist NoSo (real name, Abby Hwong). Their stage name is shorthand for North\/South: a nod to their Korean heritage, and the inane origin question (\"Which Korea are you from?\") that so many Korean Americans inevitably face at some point in their lives. Across 10 tracks, NoSo indirectly grapples with the insecurities and frustrations that can arise from the Asian American experience, with the end result feeling like a balm for the alienated.\u003cbr\u003e\u003cbr\u003eStay Proud of Me offers a deeply earnest coming-of-age story, a nuanced introduction to NoSo's universe and Hwong's rapidly expanding musical abilities. The marriage of their lyrics and captivating guitar performance feels magical, as if NoSo can open up portals to fantastic new realms, guided by an emotional honesty that breaks you down in one moment and fills you with joy in the next.","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":41054073651409,"sku":"720841301714","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/noso-stay-proud-of-me-opaque-blue-color-vinyl-lp-720841301714-partisan-records-good-taste-records-212988.jpg?v=1690207754"},{"product_id":"joy-division-preston-28-february-1980-vinyl-lp","title":"Joy Division - Preston 28, February 1980 Vinyl LP","description":"\u003cp\u003eThis gig, taped at the Warehouse in Preston, took place during the final round of UK dates Joy Division was to play before jetting off to the US. The live captures the band raw sound with Ian Curtis's haunting vocals. It's raw and powerful, a glimpse into that gig in February 1980 which became a live album.\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":41054086758609,"sku":"781930069380","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/joy-division-preston-28-february-1980-vinyl-lp-781930069380-partisan-records-good-taste-records-977751.jpg?v=1690206916"},{"product_id":"soundgarden-superunknown-vinyl-lp","title":"Soundgarden - Superunknown Vinyl LP","description":"\u003cp\u003eDouble vinyl LP pressing. Digitally remastered edition of the Seattle rockers' career-defining 1994 album. 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Dark and unrelenting, it's anchored by \"Would?,\" \"Rooster,\" \"Them Bones,\" and \"Down in a Hole.\" Multi-platinum and widely regarded as their masterpiece. This 30th Anniversary edition is essential for any grunge or hard-rock collection.\u003c\/p\u003e","brand":"Legacy Recordings","offers":[{"title":"Default Title","offer_id":41119211290833,"sku":"194399535417","price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/alice-in-chains-dirt-30th-anniversary-vinyl-lp-194399535417-legacy-recordings-good-taste-records-305622.jpg?v=1690205227"},{"product_id":"beck-odelay-vinyl-lp","title":"Beck - Odelay Vinyl LP","description":"Originally released 20 years ago on June 18, 1996 on DGC, Odelay was Beck's breakthrough follow-up to his platinum bow, Mellow Gold. Selling more than two million copies in the U.S., the double-platinum-certified Odelay featured classics that loom large in Beck's live sets to this day, including 'Where It's At, ' 'Devils Haircut' and 'The New Pollution.' Odelay won two Grammy Awards in 1997, Best Alternative Music Album and Best Male Rock Vocal Performance for 'Where It's At, ' and was Beck's first album to be nominated for Album of the Year the top honor his most recent album Morning Phase took home last year. Produced by Beck with collaborators the Dust Brothers, Mario Caldato Jr., Brian Paulson, Tom Rothrock and Rob Schnapf, Odelay continued to demonstrate and expand upon Beck's eclectic stylistic palette. It was universally praised upon it's release, named Album of the Year in both Rolling Stone and the prestigious Village Voice Pazz \u0026amp; Jop critics' poll, as well as the U.K. New Musical Express' critics' poll, where the album represented Beck's platinum breakthrough in England. In 1998, Q magazine readers voted Odelay one of the greatest albums of all time, while Rolling Stone ranked it in it's 2003 list of the '500 Greatest Albums of All Time, ' and #9 on it's list of the '100 Best Albums of the 90s.'","brand":"Interscope Records","offers":[{"title":"Default Title","offer_id":41148720283857,"sku":"602547933782","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/beck-odelay-vinyl-lp-602547933782-interscope-records-good-taste-records-758510.jpg?v=1690205558"},{"product_id":"robert-orange-is-the-new-black-vinyl-lp","title":"Robert - Orange is the New Black Vinyl LP","description":"\u003cp\u003eBlack Country emcee Robert releases Orange is the New Black, a poignant alt-rap debut which began life behind bars. With features including Jason Williamson (Sleaford Mods), Slug (Atmosphere) and Rag N Bone Man, the nine-track LP spans low-slung hip hop to simmering acoustics, and weaves together raw reflections on life in and after prison. The first bars of Orange is the New Black were penned in HMP Channings Wood where Robert was serving his third sentence in just under two decades. A visit from his son gave him the impetus to break the cycle of reoffending, and writing became a means for processing his guilt and trauma. Produced by The Purist (Action Bronson, MF DOOM, Freddie Gibbs) and Sonnyjim (Conway, Roc Marciano, Da$H) the resultant record takes its sound from the sprawling psych and punk records Robert grew up with, inflected with a heartfelt love of sample-based music.\u003c\/p\u003e","brand":"Antelope Records","offers":[{"title":"Default Title","offer_id":41189071388881,"sku":"754003286625","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/robert-orange-is-the-new-black-vinyl-lp-754003286625-antelope-records-good-taste-records-256006.jpg?v=1690208184"},{"product_id":"alex-g-god-save-the-animals-indie-exclusive-clear-color-vinyl-lp","title":"Alex G - God Save The Animals (Indie Exclusive Clear Color) Vinyl LP","description":"“God” figures in the ninth album from Philadelphia, PA based Alex Giannascoli's LP’s title, its first song, and multiple of its thirteen tracks thereafter, not as a concrete religious entity but as a sign for a generalized sense of faith (in something, anything) that fortifies Giannascoli, or the characters he voices, amid the songs’ often fraught situations. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeyond the ambient inspiration of pop, Giannascoli has been drawn in recent years to artists who balance the public and hermetic, the oblique and the intimate, and who present faith more as a shared social language than religious doctrine. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs with his previous records, Giannascoli wrote and demoed these songs by himself, at home; but, for the sake of both new tones and “a routine that was outside of my apartment,” he asked some half-dozen engineers to help him produce the “best” recording quality, whatever that meant. 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The result is an album more dynamic than ever in its sonic palette.","brand":"Domino","offers":[{"title":"Default Title","offer_id":41381462802641,"sku":"887828050710","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/alex-g-god-save-the-animals-vinyl-lp-887828050710-domino-good-taste-records-139623.jpg?v=1690205289"},{"product_id":"belle-and-sebastien-late-developers-vinyl-lp","title":"Belle and Sebastien - Late Developers Vinyl LP","description":"Recorded in the same sessions as A Bit of Previous, Late Developers doesn’t feel like a collection of lesser-than songs that weren’t good enough to go on the “real” record. Rather, it’s an embrace of the freedom that comes with a jumbo-sized canvas, skilled students left unsupervised to paint whatever picture they feel like. Late Developers takes you on a journey as the band floats through genres with ease – from the frantic Billy Bragg-with-hella-flute-energy of the opening track and what I think might be Stevie Jackson’s best song, into a legit all-out radio-ready dance party in the third quarter of the record which includes a Belle \u0026amp; Sebastian first, a co-write with young pop composer Pete Ferguson. They then unearth a 1994-era pre-Belle and Sebastian tune, with the help of Camera Obscura’s Tracyanne Campbell right before they bring you home at the end with a true bop.","brand":"Matador","offers":[{"title":"Default Title","offer_id":41390579220689,"sku":"191401189613","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/belle-and-sebastien-late-developers-vinyl-lp-191401189613-matador-good-taste-records-206071.jpg?v=1690205410"},{"product_id":"limperatrice-tako-tsubo-vinyl-lp","title":"L'Imperatrice - Tako Tsubo Vinyl LP","description":"\u003cp\u003eBroken heart syndrome is no fictional disorder. The phenomenon has a name: Tako Tsubo (or \"octopus trap\" in Japanese). It's an upheaval of the senses, an emotional burnout... It weakens the heart's main pumping chamber brought on by intense emotional distress: an earthquake or a natural disaster, or something less (literally) earth shattering like the loss of a loved one or the angst felt when one is spurned by a lover. Modern science is yet to find a cure. Tako Tsubo is a breakup album, and Matahari's romantic streak - predicated on the idea of an idealised heroine - has made way for a landscape more anchored in reality. L'Impératrice has certainly kept his taste for dance, groove on a virtuoso bass, vintage synths and glittery melodies. But gave himself the freedom to explore other lands, to step aside. It's a journey that has broadened the horizons of all of those who sail in the Empress. As for the elegance of the production, L'Impératrice has again teamed up with Renaud Letang (Jarvis Cocker, Liane La Havas, Feist), with the mighty Neal Pogue (Outkast, Stevie Wonder, Tyler the Creator) adding his mastery to the mixing. 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Made up of Alloysious Massaquoi, Graham ‘G’ Hastings and Kayus Bankole, Young Fathers have long been recognised as one of Britain’s most vital and distinguished bands - merging incendiary and thought provoking lyrics with cutting edge visuals and an undeniable propulsive live show. Written and recorded over the course of three years, Heavy Heavy is a tour de force from the trio. An unashamedly soulful and heartfelt album, where the drums set the scene throughout to transport the listener to a place of celebration and awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCocoa Sugar received huge press support from Entertainment Weekly, Pitchfork (7.3\/10), NPR, Pop Matters (9\/10 - “This album will resonate for years to come\"), Under The Radar (8.5\/10), Exclaim (9\/10), Northern Transmissions (8\/10), New York Times Magazine Music Issue, The Fader, Stereogum, Noisey, Hypebeast, Past and more. The band have had multiple sold out headline shows (Elsewhere in Brooklyn (The New Yorker praising the group’s “impressive ease\" and “versatility that can be heard in the pop harmonies and stomping rhythms that seem to glue their avant sounds together.”) and Moroccan Lounge in LA), support for LCD Soundsystem and Yeah Yeah Yeahs at Hollywood Bowl as well as a SXSW performance for the New York Times showcase, KEXP live session and performance on Jimmy Kimmel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePrior to Cocoa Sugar, Young Fathers released the Mercury Prize winning album DEAD in 2014 followed by the seminal White Men Are Black Men Too in 2015. 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Made up of Alloysious Massaquoi, Graham ‘G’ Hastings and Kayus Bankole, Young Fathers have long been recognised as one of Britain’s most vital and distinguished bands - merging incendiary and thought provoking lyrics with cutting edge visuals and an undeniable propulsive live show. Written and recorded over the course of three years, Heavy Heavy is a tour de force from the trio. An unashamedly soulful and heartfelt album, where the drums set the scene throughout to transport the listener to a place of celebration and awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCocoa Sugar received huge press support from Entertainment Weekly, Pitchfork (7.3\/10), NPR, Pop Matters (9\/10 - “This album will resonate for years to come\"), Under The Radar (8.5\/10), Exclaim (9\/10), Northern Transmissions (8\/10), New York Times Magazine Music Issue, The Fader, Stereogum, Noisey, Hypebeast, Past and more. 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Always different, paradoxical, unpredictable yet somehow familiar. The new album opens to the strains of bird chatter, the whisper of a city’s soundscape and the first few notes from an instrument which seem to be calling us to the departure lounge, a fore-shadow of the flight ‘Bismillah’ launches its listener on. Suryakant sings with the detached, rueful elegance of Sinatra marooned on a desert island, whilst his band create small space-time capsules which navigate their way through genres and eras – including the future – and between nostalgia and eccentricity. A cat might have nine lives, but on ‘Bismillah’ and beyond, Peter Cat Recording Co. are hinting towards an un- knowable multitude of dimensions. 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The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you’ve got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once. This LP is pressed on clear blue vinyl and limited to 1,000 copies worldwide.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLaunched roughly two decades ago in Portland, OR, Blitzen Trapper broke out internationally with 2008’s Furr, which cemented their status at the forefront of the modern indie folk revival. 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It is also the most hard-fought album of Camera Obscura’s career. Following the 2015 passing of founding keyboardist and friend Carey Lander (to whom the penultimate track “Sugar Almond” is addressed), the band went into an extended hiatus. They remained in contact, but their status was uncertain until they announced their return, having been invited to perform as part of Belle \u0026amp; Sebastian’s 2019 Boaty Weekender cruise festival, along with a pair of sold-out warm-up shows in Glasgow. 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The tinges of country and soul that give Camera Obscura’s baroque take on pop music its bittersweet edge have never been more apparent guitars shimmer into the distance, keys haunt, and Campbell’s voice searches for the heart, reflecting on love, loss, and the passage of time. Lead single “Big Love” relishes in the space between country rock and prog, a pining break-up anthem featuring the soaring pedal steel of Tim Davidson. It’s a Nashville Sound heartbreaker, tackling the complexity of wanting to rekindle a bad relationship with Campbell’s uncanny ability to render the past: “It was a big love, she said \/ That’s why it took ten years to get her out of her head,” she begins. “We’re Going to Make It in a Man’s World” was co-written with Maciocia for filmmaker Margaret Salmon’s 2021 film Icarus (After Amelia). (Salmon, in turn, shot Look to the East, Look to the West’s cover photography featuring Fiona Morrison, who was on the cover of Camera Obscura’s debut, Biggest Bluest Hi-Fi.). Ironic and sincere, the two navigate the reality of being women in the music industry, somehow floating over Davidson’s pedal steel and Maciocia’s keys. “The Light Nights” is a swooning song propelled by a western shuffle and killer guitar, striking a balance between a particularly good honky-tonk joint’s jukebox and a lost gem of California pop music waiting to be discovered in a 7” bin. Look to the East, Look to the West is the sound of a band that has grown more confident in its sound and purpose than ever. It is Camera Obscura at their best and most evocative, an album that completely rearranges the listener’s emotional core, leaving them sad and exhilarated at the same time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCamera Obscura’s catalog is replete with songs people point to as life-changing, songs that will stick with them all their lives. 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A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Lew has crafted his project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound — handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — takes shape through Lew's lens as an Asian-American growing up enamored by 1970s and '80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. He spins his retro-minded influences and proliferates savvily in the present, synthesizing a songwriter's wit, an editor's eye, and a producer’s resource into something singular and modern. 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It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking \"exactly what Ginger Root should sound and feel like,\" he says. \"In terms of instrumentation and musicality, it's the first time that I felt very confident and comfortable with what everything should be comprised of.\"\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":42256539812049,"sku":"804297844336","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/ginger-root-shinbangumi-sunray-juban-tv-building-color-vinyl-lp-804297844336-ghostly-international-good-taste-records-895925.jpg?v=1724967514"},{"product_id":"butthole-surfers-psychic-powerless-another-mans-sac-vinyl-lp","title":"Butthole Surfers - Psychic....Powerless....Another Man's Sac Vinyl LP","description":"\u003cp\u003eThe early-mid ‘80s had their share of insane combos -- The Birthday Party, Black Flag and Minor Threat had the raw power to melt your mind in seconds. SWANS, Einsturzende Neubauten and Big Black created enough overwhelming sonic pressure their sounds might actually flatten you. And Sonic Youth displayed such a dizzyingly unpredictable mix of art, pop culture and violence you’d sometimes leave their shows drooling. The Buttholes shared elements with all of these groups, but added an insane psychedelic edge and a propensity for bizarre spectacle.\u003c\/p\u003e\n\u003cp\u003e40 years later, Butthole Surfers have announced their first batch of reissues in collaboration with Matador Records certain to raise the roof for a lot of people who thought they had a pretty good handle on the outer realms of the ‘80s indie-rock scene.\u003c\/p\u003e\n\u003cp\u003e‘PCPPEP’ was the first to feature the power of the band’s classic two drummer line-up (King Coffey and Teresa Taylor). The synchronized percussive brutarianism of this pair (falsely rumored to be siblings) provided the perfect base for the unhinged blurt of the guitars and vocals then being shared by Gibby Haynes and Paul Leary. ‘Psychic...Powerless... Another Man’s Sac’ was also wildly advanced over the previous records. Parts of the LP swaddled their punk edge inside so much oink and babble you almost couldn’t discern it, with other segments stretching out into a mutant form of garage blues, and others just swirling out of control.\u003c\/p\u003e\n\u003cp\u003eThis evolution continued on ‘Rembrandt Pussyhorse,’ mixing rock-based form destruction with experimental, tape-mangling passages of many flavors. Meanwhile, their live shows became legendary examples of excess and derangement, and their music just kept getting louder and stranger and more savage. It was the diametric opposite of the hardcore scene from which it had emerged, which was heading in ever more codified and stylistically conservative directions.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":42262737617105,"sku":"191401205610","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/butthole-surfers-psychicpowerlessanother-mans-sac-vinyl-lp-191401205610-matador-good-taste-records-589960.jpg?v=1725544766"},{"product_id":"butthole-surfers-rembrandt-pussyhorse-vinyl-lp","title":"Butthole Surfers - Rembrandt Pussyhorse Vinyl LP","description":"\u003cp\u003eThe early-mid ‘80s had their share of insane combos -- The Birthday Party, Black Flag and Minor Threat had the raw power to melt your mind in seconds. SWANS, Einsturzende Neubauten and Big Black created enough overwhelming sonic pressure their sounds might actually flatten you. And Sonic Youth displayed such a dizzyingly unpredictable mix of art, pop culture and violence you’d sometimes leave their shows drooling. The Buttholes shared elements with all of these groups, but added an insane psychedelic edge and a propensity for bizarre spectacle.\u003c\/p\u003e\n\u003cp\u003e40 years later, Butthole Surfers have announced their first batch of reissues in collaboration with Matador Records certain to raise the roof for a lot of people who thought they had a pretty good handle on the outer realms of the ‘80s indie-rock scene.\u003c\/p\u003e\n\u003cp\u003e‘PCPPEP’ was the first to feature the power of the band’s classic two drummer line-up (King Coffey and Teresa Taylor). The synchronized percussive brutarianism of this pair (falsely rumored to be siblings) provided the perfect base for the unhinged blurt of the guitars and vocals then being shared by Gibby Haynes and Paul Leary. ‘Psychic...Powerless... Another Man’s Sac’ was also wildly advanced over the previous records. Parts of the LP swaddled their punk edge inside so much oink and babble you almost couldn’t discern it, with other segments stretching out into a mutant form of garage blues, and others just swirling out of control.\u003c\/p\u003e\n\u003cp\u003eThis evolution continued on ‘Rembrandt Pussyhorse,’ mixing rock-based form destruction with experimental, tape-mangling passages of many flavors. Meanwhile, their live shows became legendary examples of excess and derangement, and their music just kept getting louder and stranger and more savage. 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Maniacal sludge guitar figures and Gibbytronix vocals are smeared everywhere, with most excellent results. For many folks. ‘Locust’ represents the album with which the Buttholes fully fulfilled their insane potential.\u003c\/p\u003e\n\u003cp\u003e‘Hairway to Steven’ is a blast, ranging from the blood-smeared guitar-overload of “Jimi” to the acoustic guitar-based sing-along sweetness of “I Saw an X-Ray of a Girl Passing Gas” to the Fugs-like ranting of “John E. Smokes.” Yet, for all its strangeness, ‘Hairway’ got rave notices in places that had never paid the band any attention previously. It was the Buttholes’ last album of the ‘80s and marks the beginning of their ascendance into something akin to commercial success. 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Maniacal sludge guitar figures and Gibbytronix vocals are smeared everywhere, with most excellent results. For many folks. ‘Locust’ represents the album with which the Buttholes fully fulfilled their insane potential.\u003c\/p\u003e\n\u003cp\u003e‘Hairway to Steven’ is a blast, ranging from the blood-smeared guitar-overload of “Jimi” to the acoustic guitar-based sing-along sweetness of “I Saw an X-Ray of a Girl Passing Gas” to the Fugs-like ranting of “John E. Smokes.” Yet, for all its strangeness, ‘Hairway’ got rave notices in places that had never paid the band any attention previously. It was the Buttholes’ last album of the ‘80s and marks the beginning of their ascendance into something akin to commercial success. Not that the band actually imagined anything at all like that occurring.\u003c\/p\u003e\n\u003cp\u003e--Byron Coley\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":42262936223953,"sku":"191401205917","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/butthole-surfers-hairway-to-steven-vinyl-lp-191401205917-matador-good-taste-records-397852.jpg?v=1725544763"},{"product_id":"butthole-surfers-locust-abortion-technician-vinyl-lp","title":"Butthole Surfers - Locust Abortion Technician Vinyl LP","description":"\u003cp\u003eThe second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground.\u003c\/p\u003e\n\u003cp\u003e‘Cream Corn’ plucked two tunes from ‘Rembrandt’ and added a couple new ones that had been recorded on their home studio 8 track in Winterville Georgia. “Moving to Florida” (the best example ever of what Beefheart probably sounded like when he’s tripping) and the other three tracks blew peoples’ minds by being so precise and fully-messed-up at the same time. ‘Cream Corn’ was a perfect bite-sized taster for what would follow.\u003c\/p\u003e\n\u003cp\u003eFrom the opening track, “Sweat Loaf,” which quotes Black Sabbath with results both hilarious and bowel-stomping, to the scuzz-guitar riven “found” vocals of “22 Going on 23,” ‘Locust Abortion Technician.’ is a non-stop face-full of hallucinogenic gas. Maniacal sludge guitar figures and Gibbytronix vocals are smeared everywhere, with most excellent results. For many folks. ‘Locust’ represents the album with which the Buttholes fully fulfilled their insane potential.\u003c\/p\u003e\n\u003cp\u003e‘Hairway to Steven’ is a blast, ranging from the blood-smeared guitar-overload of “Jimi” to the acoustic guitar-based sing-along sweetness of “I Saw an X-Ray of a Girl Passing Gas” to the Fugs-like ranting of “John E. Smokes.” Yet, for all its strangeness, ‘Hairway’ got rave notices in places that had never paid the band any attention previously. It was the Buttholes’ last album of the ‘80s and marks the beginning of their ascendance into something akin to commercial success. Not that the band actually imagined anything at all like that occurring.\u003c\/p\u003e\n\u003cp\u003e--Byron Coley\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":42262942679249,"sku":"191401205818","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/butthole-surfers-locust-abortion-technician-vinyl-lp-191401205818-matador-good-taste-records-147244.jpg?v=1725544763"},{"product_id":"haruomi-hosono-various-hosono-house-revisited-vinyl-lp","title":"Haruomi Hosono\/Various - Hosono House Revisited Vinyl LP","description":"\u003cp\u003e• A compilation of reworks of Haruomi Hosono’s iconic solo debut, Hosono House, celebrating 50 years since its release. This compilation sees musicians from the Stones Throw roster and beyond offer up their own interpretations of Hosono’s songs.\u003cbr\u003e• Haruomi Hosono is the legendary artist best known for Hosono House and his tenure in the seminal band Yellow Magic Orchestra.\u003cbr\u003e• Hosono House still sounds as fresh as it did in 1973. Its impact stretches far beyond Japan, with an unexpected surge of interest when Harry Styles cited it as a leading inspiration for his Grammy Award-winning album Harry’s House.\u003c\/p\u003e","brand":"Stones Throw","offers":[{"title":"Default Title","offer_id":42299031191761,"sku":"659457249212","price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/haruomi-hosonovarious-hosono-house-revisited-vinyl-lp-659457249212-stones-throw-good-taste-records-579478.jpg?v=1727766272"},{"product_id":"interpol-antics-20th-anniversary-red-color-vinyl-lp","title":"Interpol - Antics (20th Anniversary Red Color) Vinyl LP","description":"\u003cp\u003eInterpol celebrates the 20th anniversary of their iconic sophomore album, Antics, first released on September 27th, 2004. \u003c\/p\u003e\n\u003cp\u003eReleased in 2004, Antics cemented Interpol's position as one of the most influential bands of their generation. The album's dark, atmospheric soundscapes and frontman Paul Banks' signature vocals spawned iconic tracks such as ‘Slow Hands,’ ‘Evil,’ and ‘C’mere’ and Antics continues to resonate with fans worldwide, solidifying its place as a modern classic.\u003c\/p\u003e\n\u003cp\u003eFormed in New York City, Interpol quickly rose to prominence with their unique blend of post-punk, shoegaze, and dark wave influences. Their debut album, Turn on the Bright Lights, became a critical and commercial success, establishing the band as a major force in alternative music. Over the course of their career, Interpol have released seven critically acclaimed studio albums including The Other Side of Make-Believe in July 2022. \u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":42299037122769,"sku":"744861061694","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/interpol-antics-20th-anniversary-red-color-vinyl-lp-744861061694-matador-good-taste-records-446907.jpg?v=1727766330"},{"product_id":"buffalo-tom-big-red-letter-day-vinyl-lp","title":"Buffalo Tom - Big Red Letter Day Vinyl LP","description":"\u003cp\u003eBuffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1984 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. The three longstanding bandmates recognize the achievement of their longevity as a creative unit. We are happy to have these three records in print on black vinyl. Released in 1990, songs from Birdbrain have become live favorites including the epic title track and “Enemy”. In 1992 the band recorded their third album Let Me Come Over with a varied group of songs they had been developing at home and on the road - mixing their live power trio sound with some more acoustic based guitar ballads. The album’s single “Taillights Fade” became their signature song. Released in 1993, Big Red Letter Day found the band doing what they do very well indeed, but with more body and gloss to the production. The album was recorded in LA by The Robb Brothers and features numerous favorites, in particular: “Sodajerk”, “I’m Allowed”, “Treehouse” and the classic “Late At Night.”\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"Default Title","offer_id":42304664207569,"sku":"607618014230","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/buffalo-tom-big-red-letter-day-vinyl-lp-607618014230-beggars-banquet-good-taste-records-848883.jpg?v=1728141113"},{"product_id":"sloan-twice-removed-vinyl-lp","title":"Sloan - Twice Removed Vinyl LP","description":"\u003cp\u003eBreakthrough 1994 album! Whip-smart power pop 'n' slamming rock from the clever Canadians. Includes \"Coax Me\" and \"People Of The Sky\".\u003c\/p\u003e","brand":"Murder Records","offers":[{"title":"Default Title","offer_id":42306922315985,"sku":"623339188319","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/sloan-twice-removed-vinyl-lp-623339188319-murder-records-good-taste-records-314511.jpg?v=1728364065"},{"product_id":"cumgirl8-the-8th-cumming-vinyl-lp","title":"cumgirl8 - The 8th Cumming Vinyl LP","description":"\u003cp\u003eLike a scantily clad Creature from the Black Lagoon, Manhattan four-piece cumgirl8 has emerged from their primordial goo, resurrecting today in striking full color. After coming-of-age with their introductory self-titled EP (2020), experiencing their own end with their RIPcumgirl8 EP (2021) , and witnessing a twisted vision of the afterlife through their first EP on 4AD phantasea pharm (2023), the band is now on the cusp of their 8th cumming by way of their long-awaited debut LP of that name, out October 4. . A product of the experiences they’ve had across their many lives, their discography is a warped, fucked up ‘coat of many colors,’ with their forthcoming record being no different. “We want people to be afraid of what’s coming.” Described as a utopian, chaotic “Greta Thunberg fever dream,” cumgirl8’s newest album, the 8th cumming, is rooted in a philosophy close to the band’s heart: cyberfeminism, which addresses the relationship between human and machine, nature and technology. Historically flexing their political muscles via outspoken activism (including protesting SXSW 2024), innuendo-ridden lyrics, adventurous stage presentation aided by costumes created in-house by the band, and merch table Plan C (Medication Abortion) pills, this current version of the band has fundamentally taken things up a notch, unafraid to introduce listeners to complicated themes all while exploring their creative boundaries and looking inward.\u003c\/p\u003e\n\u003cp\u003eAs experimental and willing to poke fun of themselves as ever, cumgirl8’s multi-faceted nature is a key cornerstone of the 8th cumming. While, to some, cumgirl8 is no more than a group of one-dimensional sex-toys and trolls on the Net, this record proves that they are much more; specifically, that they are a badass, soundboard-wielding, and forward-thinking collective with an affinity for daring storytelling and musical mayhem.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42306924183761,"sku":"191400076617","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/cumgirl8-the-8th-cumming-vinyl-lp-191400076617-4ad-good-taste-records-955980.jpg?v=1728362265"},{"product_id":"spoon-they-want-my-soul-deluxe-more-soul-edition-vinyl-lp","title":"Spoon - They Want My Soul (Deluxe More Soul Edition) Vinyl LP","description":"\u003cp\u003eOn August 5, exactly 10 years after its original release, Matador Records is reissuing Spoon’s beloved eighth album, ‘They Want My Soul,’ on all digital platforms, with a 2xLP gatefold vinyl release to follow in the fall. Along with the album’s original 10 tracks—including all-time Spoon classics “Inside Out,” “Do You,” and “Rent I Pay”— ‘They Want My Soul: Deluxe More Soul Edition’ includes 11 demos and alternate versions, almost all of them previously unreleased. The reissue underlines the album’s vaunted place amid one of rock’s most bulletproof catalogs and offers a glimpse at the creative process behind a pivotal moment in the ongoing Spoon story.\u003c\/p\u003e\n\u003cp\u003eIt’s one thing for a band to last a long time. But it’s something completely different—and inordinately more difficult—for a band to make very good records for a long time. Spoon is one of those bands. How do they do it? By maintaining dignity in a world hellbent on sucking it out of each and every one of us. By being unafraid to introduce new voices and creative expressions in their work, while never taking a corny left turn just for the sake of it. 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Nine stories whose protagonists reckon with cults, charisma and apathy. Real and imagined characters wading into the dark ocean between right and wrong.\u003c\/p\u003e\n\u003cp\u003eCowards is Squid’s most courageous album: simultaneously growing in scope and returning to basics. The band recorded Cowards at Church Studios in Crouch End with Mercury prize winning producers Marta Salogni and Grace Banks. On additional production is longtime shifu and collaborator Dan Carey, who recorded the band’s first two albums. The record was mixed in Seattle by John McEntire, before being compressed by the rich analogue chain of Heba Kadry’s mastering in Brooklyn, New York.\u003c\/p\u003e\n\u003cp\u003eSquid have come a long way since forming in 2016 as an instrumental jazz band for a monthly night in Brighton. Their debut album Bright Green Field (2021) arrived as the world was starting to open up after the pandemic and they broke into the top 5 in the UK chart. 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