{"title":"Soul Jazz","description":"\u003cp\u003eSoulful, groove-forward jazz with one foot in the church and the other on the dancefloor. Hammond organs, deep feel, and timeless swing. Found across our \u003ca href=\"\/collections\/jazz\"\u003ejazz\u003c\/a\u003e and \u003ca href=\"\/collections\/funk-soul-disco\"\u003esoul\u003c\/a\u003e selections.\u003c\/p\u003e","products":[{"product_id":"kamasi-washington-the-epic-vinyl-lp-boxset-1","title":"Kamasi Washington - The Epic Vinyl LP Boxset","description":"\u003cp\u003eThe most ambitious jazz album to arrive in ages, Los Angeles saxophonist\/composer Kamasi Washington's eagerly awaited debut clocks in at 172 minutes with never a dull moment. While his terrific 10-piece band already pack a wallop thanks to their doubled basses and drums, Washington usually embellishes them with a string section and angelic choir. Like his luminous playing on Kendrick Lamar’s To Pimp a Butterfly, Washington solos with power and grace here. 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Featuring covers by Nina Simone, Herbie Hancock, and Heath Brandon, jazz-heads and Prince fans have a lot to enjoy from this album.\u003cbr\u003e\nImported from France.\u003cbr\u003e\n \u003c\/p\u003e","brand":"Wagram","offers":[{"title":"Default Title","offer_id":40114548506833,"sku":"WGAM3920867.1","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/products\/prince-in-jazz-vinyl-lp-3596973920867-wagram-good-taste-records-586150.jpg?v=1690208020"},{"product_id":"robert-glasper-black-radio-iii-3-limited-indie-exclusive-chartreuse-color-vinyl-lp","title":"Robert Glasper - Black Radio III\/3 (Limited Indie Exclusive Chartreuse Color) Vinyl LP","description":"\u003cp\u003eRobert Glasper's highly anticipated third installment to the Black Radio album series. 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Drawing on their experience as soundtrack composers and using heavyweight Soviet analog equipment, including a few vintage personal instruments belonging to some legends of the Soviet leftfield music scene, Igor \u0026amp; Romeo started experimenting with genre-blending music. The outcome of their recordings are a mixed bag of different moods and genres. “It's something similar to a library record or more like a compilation of many different library records on one LP for a good decade if you know what I mean? It's the work which we're really excited about and excited to share with you! ...oh that's hell of a wordplay!\"- I. 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Inspired by the musical vision of Quincy Jones, Michael Orr and bass player Carey Harris assembled a cast of musicians and vocalists to create a timeless masterpiece which effortlessly blends cosmic soul, jazz, funk and gospel influences. Honey drips from Michael Orr’s omnipresent rich baritone voice (his commitment to strong vocals can be heard in his mix of styles that recalls of artists like Gil Scott-Heron) and he’s got a real talent for song writing. A smooth approach at the base, with touches of soul jazz, and handled with a bit of roughness that makes things sound a lot more real than some of the other soul records coming out at the time. This is a completely honest soul testament from singer\/songwriter Michael Orr and it’s not often that one comes across an album of such majesty and beauty that it leaves you breathless. 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With their afro-rock\/funk\/fusion style they achieved huge successes back home and in the neighbouring states, and they were the first local black pop\/rock band to appear on South African TV. In 1976 Harari were also voted South Africa’s top instrumental group and were in high demand at concert venues across the country (they were the first Black band to headline their own show at Johannesburg’s Colosseum Theatre). Harari released several albums and their South African based label (Gallo), even got them a two-album deal with the US major label A\u0026amp;M. Their single, \"Party\", entered the American Disco Hot 100 in 1982. After the untimely death of Selby Ntuli in 1978 they would go on to record more albums with a new line-up but it was never the same again. By 1984 the group disbanded, and Harari’s members launched successful solo careers. 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Jazz, hip-hop, and Soul swirl through the lens of producer and co-founder Sam Beaubien, capturing the spirit of live performance while utilizing the unique subtleties and styles of beat making. Other founding members Bryan Arnold (drums), Ryan Gimpert (guitar), and Tim Shellabarger (bass) welcome special guest musicians Ian Finkelstein (keys), Marcus Elliot (Saxophone), and Quentin Joseph (drums) to create a sound-scape that pushes and blurs the boundaries and musical concepts that Will Sessions has become known for.  From the opening track “Lil Picasso,” the listener is transported to a futuristic nostalgia, and is taken on a journey through instrumental expression, depicting a world full of unlimited textures and endless possibilities. Moving through tracks like “Seagulls” and “Out Done,” the group shows their strengths in thematic hip-hop, while “Phase Shift” gives the band freedom to explore their jazz roots. “Wave Sequence” pulls the sound into an experimental realm using electronic influences, while the juxtaposed “Rain Come Down” pulls you right back into a soulful and familiar memory.  “Coffee Cup” and “Eclipsed” throw all influences to the canvas and “Planet Jumper” finishes the journey with hopeful curiosity of what the future has to offer. 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Having grown up in the Scribble Jam scene here in Cincy, and running in circles that included artists like Hi-Tek \u0026amp; Talib Kweli, Grimes' music has continued to evolve from sample-based loops, to live instrumentation with deep layering; provided by a revolving door of local musicians. The common thread in most Doctor Bionic tracks are the neck snapping drum breaks, but the tempo adjustments and varying instrumentation lends itself to a collection of non-genre specific songs - held together in unity by the flawless drums, often provided by Josiah Wolf (of indie-rock band Why?)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result of these recording sessions are a masterclass in musical juxtaposition. Spacious yet clustered. Futuristic nostalgia. 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Now available in a beautifully remastered edition, this is a must-have for any audiophile and jazz aficionado.\u003c\/p\u003e","brand":"IGA\/A\u0026M","offers":[{"title":"Default Title","offer_id":42607261614289,"sku":"602475786931","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/quincy-jones-smackwater-jack-vinyl-lp-602475786931-igaam-good-taste-records-247051.png?v=1747183785"},{"product_id":"mark-adams-this-is-neo-soul-vinyl-lp","title":"Mark Adams - This is Neo-Soul Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMark Adams, keyboard wizard \u0026amp; long-time member of the famous \"Roy Ayers\" band, creates a dreamy album filled with a fusion of Neo-Soul, Jazz \u0026amp; Gospel. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDownJazz presents: \"Mark Adams, This is Neo-Soul\". 15 master musicians from the bands, Roy Ayers, Chic, Lonnie Liston Smith \u0026amp; Chaka Khan recorded a live album over 3 years, that is a testament to the \"Neo-Soul-Jazz” sound of Harlem, New York City 1970. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e10 Tracks are featured including tribute versions of \"Sweet Tears\" \u0026amp; 'Vibrations' along with a remake of \"Expansions\", an oh-so timely classic by 'Lonnie Liston Smith \u0026amp; the Cosmic Echoes\". Many new funk fueled compositions perfectly align with the aforementioned iconic songs, resulting in an expertly crafted album that is brimming with stylish riffs, rolling bass, big brass stabs \u0026amp; an abundance of musical flair. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJoining Adams on this exciting project are master musicians: Chris DeCarmine (drummer for Ubiquity), Kimberly Davis, vocals, ( Chic, Nile Rodgers), Dave Mullins, Sax ( Nile Rodgers, Roy Ayers, Gloria Gaynor, Gill Scott Heron), John Pressley, vocals (Roy Ayers), Bill White, guitar, ( Chaka Khan, Lonnie Liston Smith, Brian Jackson, Hall \u0026amp; Oats), Kenyatta Beasley, trumpet, ( Shakira, Wynton Marsalis, Mary J Blige), Monte Croft, vibes ( Gladys Knight, Smokey Robinson, Valerie Simpson). Steve Kroon, percussion, ( Luther Vandross, Roberta Flack), Jonathan Quash, vocals (Mark Adams), Miya Bass, (Broadway), Roy Bennett, bass, (Bernard Perdie, Teddy Pendergrass), Donald Nicks, bass, ( Roy Ayers, Tom Browne, Bobbi Humphrey), John Smith, guitar, (William Patterson, Bebe \u0026amp; CeCe Winans), Emanual Gatewood, bass (Moss Def, Diana Reeves).\u003c\/span\u003e\u003c\/p\u003e","brand":"Down Jazz Records","offers":[{"title":"Default Title","offer_id":42929235460305,"sku":"602581188780","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/mark-adams-this-is-neo-soul-vinyl-lp-nublu-good-taste-records-5790633.jpg?v=1767990734"},{"product_id":"awakening-the-mirage-blue-black-swirl-color-vinyl-lp","title":"Awakening, The - Mirage (Blue \u0026 Black Swirl Color) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe only “group” on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early ‘70s jazz. That they’re not is the result of the Black Jazz label’s distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with the notable addition of bassist Rufus Reid on a couple of tracks. Spiritual jazz, free jazz, soul jazz, fusion jazz, you name it—The Awakening take all those threads common to early ‘70s African-American music and, like any great ensemble, weave them into a beautiful sonic garment that’s greater than the sum of its parts. The Mirage is a bit less political\/pan-African than Hear, Sense and Feel, its predecessor, which definitely owed some of its feel to the band’s Art Ensemble of Chicago\/AACM roots; this record is a little more abstract, a little more varied in its moods and textural coloring, yet no less powerful and transporting. This limited (to 500 copies) blue with black swirl vinyl edition comes with liner notes by Pat Thomas. A record to discover, savor, and treasure.\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Gone Music","offers":[{"title":"Default Title","offer_id":42958496235729,"sku":"848064020639","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/awakening-the-mirage-blue-black-swirl-color-vinyl-lp-real-gone-music-good-taste-records-7321878.jpg?v=1770089247"},{"product_id":"awakening-the-hear-sense-and-feel-blue-black-swirl-color-vinyl-lp","title":"Awakening, The - Hear, Sense and Feel (Blue \u0026 Black Swirl Color) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe Awakening were the only “group” recorded by Black Jazz, for which they made two albums; those two releases happen to be among the most collectible in the label’s entire catalog. Recorded in 1972, Hear, Sense, and Feel marked the band’s debut, and featured the same line-up that played on next year’s Mirage. Being from Chicago, The Awakening’s line-up unsurprisingly boasts a heavy connection to the AACM (Association for the Advancement of Creative Musicians) collective that claimed The Art Ensemble of Chicago among its most esteemed artists; in fact, both bassist Reggie Willis and tenor saxman\/flautist Ari Brown were AACM members and appeared on albums with Muhal Richard Abrams, Lester Bowie, and Anthony Braxton among others. The other members of The Awakening, on the other hand, hailed from the city’s soul jazz scene, specifically Young Holt Unlimited, for whom co-leaders trumpeter Frank Gordon and keyboardist Ken Chaney played (trombonist Steve Galloway played on Melvin Jackson’s soul jazz classic Funky Skull). And it is that sweet spot, somewhere between the free jazz and Afrocentric explorations of the Art Ensemble and the rhythm-heavy soul jazz sound being recorded at Chicago-based labels like Brunswick and Cadet, that Hear, Sense and Feel lands. This blue with black swirl vinyl edition features liner notes by Pat Thomas, author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975, that set the scene for both the label and the band. Limited to just 500 copies!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Real Gone Music","offers":[{"title":"Default Title","offer_id":42958498595025,"sku":"848064020653","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/2866\/0689\/files\/awakening-the-hear-sense-and-feel-blue-black-swirl-color-vinyl-lp-real-gone-music-good-taste-records-8366203.jpg?v=1770089242"},{"product_id":"mark-adams-this-is-neo-soul-cd","title":"Mark Adams - This is Neo-Soul CD","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMark Adams, keyboard wizard \u0026amp; long-time member of the famous \"Roy Ayers\" band, creates a dreamy album filled with a fusion of Neo-Soul, Jazz \u0026amp; Gospel. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDownJazz presents: \"Mark Adams, This is Neo-Soul\". 15 master musicians from the bands, Roy Ayers, Chic, Lonnie Liston Smith \u0026amp; Chaka Khan recorded a live album over 3 years, that is a testament to the \"Neo-Soul-Jazz” sound of Harlem, New York City 1970. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e10 Tracks are featured including tribute versions of \"Sweet Tears\" \u0026amp; 'Vibrations' along with a remake of \"Expansions\", an oh-so timely classic by 'Lonnie Liston Smith \u0026amp; the Cosmic Echoes\". Many new funk fueled compositions perfectly align with the aforementioned iconic songs, resulting in an expertly crafted album that is brimming with stylish riffs, rolling bass, big brass stabs \u0026amp; an abundance of musical flair. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJoining Adams on this exciting project are master musicians: Chris DeCarmine (drummer for Ubiquity), Kimberly Davis, vocals, ( Chic, Nile Rodgers), Dave Mullins, Sax ( Nile Rodgers, Roy Ayers, Gloria Gaynor, Gill Scott Heron), John Pressley, vocals (Roy Ayers), Bill White, guitar, ( Chaka Khan, Lonnie Liston Smith, Brian Jackson, Hall \u0026amp; Oats), Kenyatta Beasley, trumpet, ( Shakira, Wynton Marsalis, Mary J Blige), Monte Croft, vibes ( Gladys Knight, Smokey Robinson, Valerie Simpson). 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