Tonio Rubio's Rhythms is a stone-cold killer, a heavyweight library breaks LP and the inaugural release in Be With's new partnership with legendary French library label Tele Music. For this extremely special 50 year anniversary reissue, Be With Records reproduced the classic Tele Music sleeve with a full color insert featuring rare photographs, fresh liner notes, and personal memories of Tonio from the likes of Jean-Claude Vannier, Jean-Claude Petit, and Janko Nilovic. Sumptuous opener "Latin Leitmotiv" is all funky phasing effects and a killer montuno, with what sounds like piano and bass in tandem, stoking straight up Latin fire. The gritty hard funk of blaxploitation groove "Red Medium" is dripping in wah-wah attitude and head-nod oddness. The atmospheric, exotica-tinged "Dead Slow" emulates the languid, sensual Afro groove of Quincy Jones's wild masterpiece "Gula Matari" whilst the proggy, electric jazz fusion epic "Rock 73" is 9+ minutes of moody, rolling menace. But the real highlight of this cult classic -- and why it has long been so desirable -- is the devastating, deep, hypnotic minimalist groove of "Bass In Action N°1". Very much in conversation with Quincy's rendition of "Hummin'", the loping, rumbling bassline and sweet electric piano over clean, crisp drums making it one of those tracks that sounds like a hip-hop beat 20 years ahead of time. "Bass In Action N°2" features Tonio's own vocal scat performance. Antonio "Tonio" Rubio Garcia got his start playing the double bass in jazz clubs. In 1962, Tonio joined the Golden Stars, the first backing band of France's teenage idol Johnny Hallyday. A genius musician with a unique guitar sound, he played on standards of French chanson including Serge Gainsbourg and Brigitte Bardot's "Bonnie and Clyde", Françoise Hardy's "Tous les Garçons et les Filles", Gainsbourg and Jane Birkin's "Je T'aime, Moi Non Plus", and Serge and Charlotte Gainsbourg's infamous "Lemon Incest". Jean-Claude Vannier remembers Tonio as "a secretive, mysterious man, with an endearing personality, albeit difficult to reach out to. His virtuosity as a bass player allowed me to write very innovative basslines, because he was able to play any of my eccentricities!" Remastered by Simon Francis.