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Howard Roberts - Lord Shango (Original Soundtrack) Limited Edition Vinyl LP

Regular price $25.00 Sale price $34.00
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Album Facts

Howard Roberts - Lord Shango (Original Soundtrack) Limited Edition Vinyl LP

Check out what's in this album

Price $25.00
Format LP
Label Tidal Waves Music
UPC 735202315156
Color Black
Year
Condition
Media condition
New/Mint
Sleeve condition
New/Mint

Album Facts

Howard Roberts - Lord Shango (Original Soundtrack) Limited Edition Vinyl LP

Check out what's in this album

Price $25.00
Format LP
Label Tidal Waves Music
UPC 735202315156
Color Black
Year
Condition
Media condition
New/Mint
Sleeve condition
New/Mint
Like the movie, the soundtrack showcases a clash of different "worlds" - musically speaking, that is. Three distinct musical styles run throughout the film, each serving to set the tone for one of the primary settings: gospel in and around the church, African drumming in the Yoruba village and jazz/R&B/funk in the "real world". The music in Lord Shango is almost a character unto itself. The man versatile enough to provide this vital musical accompaniment was accomplished trumpeter, singer, composer & conductor Howard Roberts... known for his work with icons such as Nina Simone, Miles Davis, Aretha Franklin and countless others. Roberts had already released a couple of his own albums, including one that seems like a direct precursor to Lord Shango: 1968's Let My People Go, in which he set traditional African-American spirituals to African percussion. As the popular saying goes: the right man for the job. Howard Roberts put his musical expertise to use on the set of Lord Shango. But it wasn't a one-man show, of course. Among the talent he brought was 'Gospel All Stars' member Ella Mitchell (Sylvester, Peter Tosh), Chief Bey (Art Blakey, Pharoah Sanders) and Howard Roberts's own Chorale (naturally) who had already worked with greats such as Ahmad Jamal and Little Richard. Vocals were also handled by the prestigious Aaron Staples Community Choir... and Milford Graves (the trailblazing free jazz percussionist) supervised the African drumming, which was reportedly performed by a pair of "African priests".

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